PIM'S METAMORPHOSES: A Live Digital Performance

On a night that might have been like any other, a man finds himself on a journey of self-discovery, morphing through the myths of Ovid’s Metamorphoses, one which will leave him asking: Who was I? How did I become who I am now?
A modern epic poem, Pim’s Metamorphoses is a solo performance built specifically for digital viewing which simultaneously celebrates live storytelling while boldly embracing the new digital performance medium.
Pim's Metamorphoses
written and performed by Neil Redfield
Jan 28th - 31st, 2021
Directed by Ann Noling
Sound Design by Caroline Eng
Scenography by Matthew Deinhart
Stage Managed by Amber Gebert-Goldsmith
Graphic Design by Allie Yacina
Pim's Metamorphoses was most recently performed as a digital production on January 28th - 31st, 2021.
If you are interested in viewing the production for research or for programming, please contact as at:
Performer/Playwright
Neil Redfield (he/him) is an actor and writer currently sheltering in San Antonio, TX, but is ultimately based in NYC. As an actor, he has performed around the country (Dallas Theatre Center; Berkshire Theater Group; Resident Ensemble Players), though a recent highlight has been performing from his bedroom in WHO'S THE
Performer/Playwright
Neil Redfield (he/him) is an actor and writer currently sheltering in San Antonio, TX, but is ultimately based in NYC. As an actor, he has performed around the country (Dallas Theatre Center; Berkshire Theater Group; Resident Ensemble Players), though a recent highlight has been performing from his bedroom in WHO'S THERE, an international piece of digital performance devised in response to BLM (New Ohio Ice Factory 2020). As a writer, his work is often inspired by classical Greek and Roman mythology. He also tutors mathematics, studies Mandarin, and runs marathons. MFA: SMU. www.neilredfield.com
Director
Ann Noling is a director and teacher from Brooklyn. Favorite projects include Jessica Dickey’s ensemble Amish Project at WTF, and Julia Izumi’s Meet Murasaki Shikibu Followed by Book-Signing and Other Things in the NYC Fringe. She has helped developed new work seen at Dixon Place, The Brick, The Martin E. Segal Theatre Center, an
Director
Ann Noling is a director and teacher from Brooklyn. Favorite projects include Jessica Dickey’s ensemble Amish Project at WTF, and Julia Izumi’s Meet Murasaki Shikibu Followed by Book-Signing and Other Things in the NYC Fringe. She has helped developed new work seen at Dixon Place, The Brick, The Martin E. Segal Theatre Center, and The Fourth Street Theatre and has received fellowships and assistantships with Playwrights Horizons, Williamstown Theatre Festival, MTC, and the SDCF Observership program. B.A. in American Studies focusing on performance studies and American theatre, Tufts University; M.F.A. Brooklyn College.
Sound Designer
Caroline Eng is a New York based sound designer and audio engineer. Recent design work includes Where Are You (Digital) (SUITE/Space, Mabou Mines), Rarámuri Dreams, Taxi Radio, and May 35th (The Columbia University International Play Reading Festival 2020 Podcast Series), Julius Caesar and Macbeth (American Academy for the
Sound Designer
Caroline Eng is a New York based sound designer and audio engineer. Recent design work includes Where Are You (Digital) (SUITE/Space, Mabou Mines), Rarámuri Dreams, Taxi Radio, and May 35th (The Columbia University International Play Reading Festival 2020 Podcast Series), Julius Caesar and Macbeth (American Academy for the Dramatic Arts). Find Caroline's online portfolio at carolineengdesign.com.
Scenographer
Matthew Deinhart is New York based multidisciplinary designer. Recent design credits
include the scenic design for The Lesser Magoo (Brooklyn College) and Sweat
(Brooklyn College), the lighting design for La Folie (Premiere - Brooklyn College), Dark
Star of Harlem (La Mama), The Sandwich Program (Premiere - The Public), and
Tongue
Scenographer
Matthew Deinhart is New York based multidisciplinary designer. Recent design credits
include the scenic design for The Lesser Magoo (Brooklyn College) and Sweat
(Brooklyn College), the lighting design for La Folie (Premiere - Brooklyn College), Dark
Star of Harlem (La Mama), The Sandwich Program (Premiere - The Public), and
Tongue Depressor (Premiere -The Public), and the projection design for This is a Cave
(Premiere – Brooklyn College) and ANIMUS ANIMA//ANIMA ANIMUS (Premiere - The
Public). Matthew is a 2015 graduate of Queens College with degrees in philosophy and
theatre, and has been working as a freelance designer since 2014.
Stage Manager
Amber Gebert-Goldsmith (she/they) is a Stage Manager currently located in the Bay Area. She recently graduated from the University of California, Santa Cruz with a degree in Theater Arts. She has worked on a variety of styles of performances including new works, dance, opera, experimental and devised theater. She has worked
Stage Manager
Amber Gebert-Goldsmith (she/they) is a Stage Manager currently located in the Bay Area. She recently graduated from the University of California, Santa Cruz with a degree in Theater Arts. She has worked on a variety of styles of performances including new works, dance, opera, experimental and devised theater. She has worked for Opera San José, City Lights Theater Company, and Santa Cruz Shakespeare.
Graphic Designer
Allie Yacina (she/her) is an illustrator and graphic designer based in Portland, Oregon. More of her work can be found on Instagram @allie.yacina and on her website allieyacina.com
For inquiries about the performance or to get in touch with a member of the team, please reach out through the contact form above.
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